Tag: Keats

  • La Belle Dame Sans Merci – John Keats – a Reading

    La Belle Dame Sans Merci – John Keats – a Reading

    She sits wrapped in furs on an ancient Celtic floor, chanting her soft ballads and staring at smoke from a peat fire curling softly up and round and out of the roof. She has lived many lives and known many names; no doubt she will live many more. She is the Lady of the Green Kirtle, Queen of the Deep Realm, she is Lamia. She lures men to their death.

    The wind howls outside, along the sea loch and the birds cry their mournful song. She is wronged, mis-portrayed, misunderstood by generations. No Siren she but mere mortal, demonized by hapless storytellers who know no better.

    She is Eve, cast out of the Garden of Eden, she is the cause of all our suffering. No noble savages, we seek to blame womankind, when blind evolution alone has done us wrong.

    Our Circe, our witches, our magical world view are as present now as ever they were. They lull and caress us, inspire and guide us, if not literally then in the imagination of our hearts. To be human is to imagine. To imagine defines us, renews us.

    The poem tells a beautiful and ancient story, and what is our life but a story? Perhaps we live but a story after all.

    It is cold and dark and winter:

    “The sedge has withered from the lake, And no birds sing.”

    The knight is “haggard and so woe-begone.”

    The Belle Dame is

    “a faery’s child, Her hair was long, her foot was light,And her eyes were wild”.

    But her love, it seems, was nothing but

    ” A faery’s song”,sung “to pale kings and princes too, Pale warriors, death-pale were they all”.

    And in the end the Belle Dame was just a dream, like life itself.

    “And I awoke and found me here,

    On the cold hill’s side”

    Wrapped in the beauty of myth ancient and modern we create our own truth, we bring meaning to a universe some say is dark and cold and without purpose. Sometimes sad and sometimes not, our stories and our poems, our Green Ladies and our Belles Dames are reflections of our desires and anxieties.

    We are the stories we tell about ourselves. We are our myth in all its richness and beauty. In the world of our imagination there need be no ugliness, and without our imagination we would have no fire, no wheat to harvest, no wheel.

    Heaven and Hell are creatures of our own making. We have imagined them and it is in our power to create in our own lives a “heaven” or a “hell”. May more of us choose the former over the latter and “nirvana” can be here and now.

  • John Keats – Ode To Autumn – a Reading

    John Keats – Ode To Autumn – a Reading

    I have already written a few words about Ode to Autumn but felt minded to record my own reading of it.

    Forgive the sheer vanity but it just felt something I needed to do.  I have never been a luvvie, a Thespian. God forbid.

    Professional luvvies can be bad enough but amateurs are almost inevitably excruciating.  I hope therefore that my (almost) non-existent readers will forgive this strange departure.

    Partly, I did it because it was fun.  Partly because my wife has a fantasy that I might be a budding podcast star. I don’t think she realizes you have to be female, with Botox and big tits to achieve that. And apparently if you want to appeal to the Afro Americans you need to be both female and a clone of one or other Kardashian (Kim?) with a huge bum.

    Anyway, onward. I bought a retro microphone called Blue Snowball Ice and set out to inflict my painful drivel on an unsuspecting public.

    I used excellent free audio recording software called Audacity and spent, what, six or seven hours fiddling around with it trying to make myself sound less of an aged old fart than I actually am.

    I am amazed and mortified at how old I sound – I don’t feel it. But that is what they all say!

     

  • Here lies one whose name was writ in water.

    Here lies one whose name was writ in water.

    Far from disappearing, Keats and his incomparable poetry have lived on after his death.

    How should you approach Keats?  What should you do with his works? How should you interpret them?

    I can only answer for myself; that I find pleasure in taking poetry at face value. I find no need to agonize, to wander in endless circles wondering what he meant by his immortal lines.

    Being neither intellectual nor aesthete, I make of them what I will. I let them do for me what beauty always does –  elevate my mood,  inspire me,  give me a glance of the transcendent, the sublime.

    Take the Ode to Autumn.  Autumn is personified – it conspires with the sun:

    To bend with apples the moss’d cottage-trees,
    And fill all fruit with ripeness to the core;

    Redness, ripeness, plumpness. The beauty of rural life, of humble cottages.  The sweetness of fruit, a harvest of plenty celebrated in ancient musty churches where children sing simple songs of thanksgiving.

    Even hardened bankers and their dreary clerks, the Marleys, Scrooges and Cratchits, can have their spirits lifted, as the festivals of autumn presage those of Christmas and the revelations that season’s spirits will bring. And on after that in the never ending rhythm of the earth and the sun.

    Of course we must not imagine there ever existed such a place as “Autumn” other than in the mind of poets, but then all reality exists in our minds. Why not let a fable or two dwell there as well?  The unobserved tree living silently in the woods exists, but with no observer who will celebrate its life? Who will appreciate its beauty? Perhaps we give Autumn a validity by observing it. Perhaps the tree living silently in the woods needs us after all.

    Maybe the beauty of that faery tale, the rural idyll, can become our reality.  At the very least, Keats’ words can accentuate, enlarge the natural beauty we see around us in this season of fruition and plenty:

    Season of mists and mellow fruitfulness,
    Close bosom-friend of the maturing sun

    Keats conjures up a scene so colorful, so joyful in its gentle melancholy, that spring can wait its turn. Autumn has its deep beauty too.  Autumn is sitting on a granary floor, drowsed with the fumes of poppies. Autumn loads and blesses “with fruit the vines that round the thatch-eves run”.

    Let’s not fool ourselves – Keats lived in times as brutal as our own. More so. The dark satanic mills so feared by Blake were spreading like evil, black mold. Conditions in the factories were bleak and child labor produced goods which many (most) could not afford His own life was a tragic one, cut short by disease.  His family were taken from him before their time.  He could never marry – his love for Fanny remained unrequited, he could not afford matrimony.

    But we must take beauty where and when we can.  We must believe that times can and will improve in the millennia to come.  While waiting, the words of Keats can only improve our experience in what we think of as our “reality”.

  • Where are the songs of spring?

    Where are the songs of spring?

    …..Where are the songs of spring? Ay, Where are they?
    Think not of them, thou hast thy music too….
    Autumn
    John Keats
    What exquisite bitter-sweetness, an English autumn in the countryside.  Burgeoning hedgerows, the apple trees in the cottage garden loaded with red sweetness, the waning autumn sun filling the world with its mournful rays.
    It’s the end of the summer holidays – no Englishman can forget the days when his parents sent him off at Victoria Station, on the school train to his spartan boarding school on the Kent coast.
    His trunk loaded with tweed suits for Sunday best, stout walking shoes, thick trousers, jerseys and his prep school rug for the end of the bed. Back to the dormitories, sweet rationing, cold playing fields and choir practice for the Sunday services at the ancient Saxon church at the top of the village.
    It was a day of quiet and serene pleasure.  We pottered in the garden, we cycled along the still green lanes.
    We were youth and we were age; a delightful 16 year old niece provided the former,  myself the latter. My wife somewhere in between.

    A meditation on death? Perhaps, especially as we passed my parents newly carved headstone in the local church. But more joy than sadness I think, a day when eternity seemed to have a vivid reality and the passing of the seasons but a pleasant distraction.
    Do I mourn the passing days? Do I mourn years past? No, not today at least.
    It was a day to live, a day to bathe in autumn sunlight and a piercing blue sky. A day to live for and not a day to fear; certainly not for the future.
    A day for gratitude; a day to rejoice in what is, not mourn what is no longer.